The Pretty Things - Get the Picture (Deras 2:a Album UK 1965 + Många bonusspår)

200:- (24-Bit Limited Remaster Edition. Gruppens 2:a album som har 6 bonusspår, bl.a: "Come See Me", "L.S.D.","Midnight to Six Man". Mycket bra album, lite råe rock än vad som var vanligt 1965.)

The Pretty Things' second album, Get the Picture? (released December 1965), has not only been remastered from original session tapes so the group sounds like their amps are practically right in your lap, but it's also been expanded to 18 songs with the addition of tracks cut for singles and EP releases from the same sessions. 

That's enough to recommend it even to casual fans -- this is now a record that's just a few notches short of Rolling Stones level in the charisma department, and pretty tough any way you want to look at it. On "Rainin' in My Heart," they sound exactly like the Stones from the same era, missing only the little harmonica flourish that might have been added on the break. 

The liner notes go into the history of the group during this period in delightful detail, and the histories of various songs, most particularly "L.S.D.," which, amazingly, was cut as a demo and never redone for release, but just put out the way it was. In their good moments here, the Pretty Things approach Rolling Stones' territory, and even in their off moments, they're flying at the same level as the Kinks' album tracks.

01. "You Don't Believe Me" (Phil May, Bobby Graham, Jimmy Page, Willie Morrell) – 2:24

02. "Buzz the Jerk" (May, Dick Taylor) – 1:55

03. "Get the Picture?" (May, Taylor) – 1:56

04. "Can't Stand the Pain" (May, Taylor, Graham) – 2:42

05. "Rainin' in My Heart" (James Moore, Jerry West) – 2:33

06. "We'll Play House" (May, Taylor) – 2:34

07. "You'll Never Do It, Baby" (Brian Smith, Terry Fox) – 2:29

08. "I Had a Dream" (Jimmy Witherspoon) – 2:59

09. "I Want Your Love" (Johnnie Dee, Johnny Tarr) – 2:18

10. "London Town" (Tim Hardin) – 2:28

11. "Cry to Me" (Bert Russell) – 2:53

12. "Gonna Find Me a Substitute" (Ike Turner) – 2:59

Bonus Tracks

13. "Get a Buzz" (May, Taylor, Brian Pendleton, John Stax, Skip Alan)– 4:02

14. "Sittin' All Alone" (May, Taylor) – 2:49

15. "Midnight to Six Man" (Taylor, May) – 2:21

16. "Me Needing You" (May, Taylor) – 1:58

17. "Come See Me" (Pierre Tubbs, J.J. Jackson, Sidney Barnes) – 2:41

18. "L.S.D." (May, Taylor) – 2:27

The Rolling Stones - Sucking The Seventies (UK 1981)

330:- (SHM-CD Limited Remaster Edition. Outgivet + andra versioner av låtar från 70-talet. Endast detta ex i lager.

Sucking in the Seventies is the fourth official compilation album by The Rolling Stones, released in 1981. As the successor to 1975's Made in the Shade, it covers material from It's Only Rock 'n Roll (1974), Black and Blue (1976), Some Girls (1978) and Emotional Rescue (1980) recording sessions.

All tracks on Sucking in the Seventies except "Shattered" and "Everything Is Turning to Gold" were mixed or edited for this release. "When the Whip Comes Down" is presented in an otherwise unreleased live version, recorded in Detroit on the band's 1978 tour.

"If I Was a Dancer (Dance Pt. 2)" is a longer and different mix and containing different lyrics from "Dance (Pt. 1)", the opening track on Emotional Rescue (1980). The Rolling Stones' only #1 hit of this period, "Miss You", is not included on this compilation.

There's a certain smarmy charm in the Rolling Stones titling a compilation of their work from the second half of the '70s Sucking in the Seventies -- it seems a tacit admission that neither the decade nor the music they made in that decade was all that good, something that many critics and fans dismayed by the group's infatuation with glitzy disco and tabloid grime would no doubt argue. 

It is indeed true that the Stones, led by the ever-fashionable Mick Jagger, descended into a world of sleaze, one seemingly far removed from the dangerous blues-rockers of the '60s, who were concerned enough about their blues credibility that they brought Howlin' Wolf on to a teen-oriented British TV program. 

That incarnation of the Rolling Stones was a distant memory at the end of the '70s, when the group was freely dabbling with disco, reggae, and never-ending elastic grooves, and pumping up their sound with punchy horns and slick backing vocalists. Sometimes this resulted in great music, as in the terrific 1978 masterwork Some Girls, which took on disco, punk, and new wave in equal measure, while retaining the signature Stones feel. Sometimes, the group would stumble, as they did on the uneven but intermittently entertaining 1976 LP Black and Blue (heavy on reggae and jams) and 1980's Emotional Rescue (heavy on disco and dance). 

Those three albums are more or less covered on Sucking in the Seventies, an unwieldy collection of hits, outtakes, live cuts, and album tracks that plays fast and loose with the time line (it reaches back to 1974 for "Time Waits for No One," a year that was covered on their previous comp, Made in the Shade), while not including anything but outtakes from Emotional Rescue, and managing to overlook their biggest hit of the second half of the '70s -- 1978's "Miss You," the biggest and best disco track they ever did. 

This doesn't come close to compiling all their best songs from the second half of the '70s -- for instance, the monumental "Hand of Fate," easily the greatest song on Black and Blue, isn't here -- but the amazing thing is that Sucking in the Seventies captures the garish decadence and ennui of the band better than the proper albums from this period. 

Not that this is a better record than Some Girls, which had the same sense of trash but also a true sense of hunger and menace underpinning the restless music, but it is better than either Black and Blue or Emotional Rescue, since it gleefully emphasizes their tawdry disco moves while illustrating that the band could either be deliciously tacky in concert (the version of "Mannish Boy" pulsating on a gaudy clavinet shows how bloated the Stones were in the mid-'70s, but the passage of time has made that rather ingratiating) or as muscular and mean as they were at their peak (a previously unreleased version of "When the Whip Comes Down," which tears by at a vicious pace). 

On the surface, the studio outtakes of "Everything Is Turning to Gold" and "If I Was a Dancer" (which is merely the second part of Emotional Rescue's opening cut, "Dance, Pt. 1") aren't all that remarkable, but they're good, stylish grooves, and when placed in the context of other disco-rock, slick ballads, and overblown blooze, they help make Sucking in the Seventies into a kind of definitive document. 

If you want to know what the Stones sounded like at the end of the '70s, why they earned scorn from longtime fans while continuing to rule the charts, this is the record you need. It may not give casual fans all the hits they want, and for some hardcore fans, this will remind them of why they stopped listening to the Stones, but for a few others, this is a wonderful celebration of all the group's '70s sleaze, an LP that was designed to be a shoddy cash-in compilation, but wound up revealing more than the group ever realized.

Track listing:
01. "Shattered" – 03:46
• From Some Girls (1978)
02. "Everything Is Turning to Gold" (Jagger, Richards, Ronnie Wood) – 04:06
• B-side to "Shattered"
03. "Hot Stuff" – 03:30
• Edited version from Black and Blue (1976)
04. "Time Waits for No One" – 04:25
• Edited version from It's Only Rock 'n' Roll (1974)
05. "Fool to Cry" – 04:07
• Edited version from Black and Blue (1976)
06. "Mannish Boy" (Ellas McDaniel, Mel London, McKinley Morganfield) – 04:38
• Edited version from Love You Live (1977)
07. "When the Whip Comes Down" (Live version) – 04:35
• Recorded live in Detroit on 6 July 1978
08. "If I Was a Dancer (Dance Pt. 2)" (Jagger, Richards, Wood) – 05:50
• Previously unreleased, from the Emotional Rescue sessions (1980)
09. "Crazy Mama" – 04:06
• Edited version from Black and Blue (1976)
10. "Beast of Burden" – 03:27
• Edited version from Some Girls (1978)