350:- (2CD, SHM-CD Limited Remaster Edition (High Resolution Cutting). Stereo/Mono versioner + många bonusspår. Ett extra laminerat promokonvolut medföljer. Efterraktad och ovanlig Mini LP.)
This double-CD set is the optimum way to hear the material concerned, although it offers nothing near the revelation that WHEELS OF FIRE, from the same 2013 reissue series, was. That's understandable, as the recording facilities and circumstances for the Cream's 1966 debut FRESH CREAM were, undoubtedly, more limited and more rushed than the work on their magnum opus double-LP two years later -- fresh remastering or not, even with high-resolution cutting, there's just not a huge amount to add to what we've known on these sides on past releases and reissues.
The sound is still superb, ESPECIALLY on the mono disc -- on the stereo mix, there's great resolution, but anyone expecting the kind of detail revealed in the high-resolution remastering of DISRAELI GEARS or WHEELS OF FIRE will be a little disappointed. The specific mono vs. stereo virtues I'll leave to someone else to analyze -- but the mono mix has real PUNCH through my sound system (and me) when I listen to it, in ways that the stereo version does not. The artwork is handsome, and the bonus tracks add some extra depth (or breadth) to the proceedings.
Fresh Cream is Cream's December 1966 debut album. It was the first LP release of producer Robert Stigwood's new "Independent" Reaction Records label. It reached number 6 in the UK in February 1967 and - eventually - number 39 in the US in August 1968. The British version omitted "I Feel Free" (then their current single), while the US version contained it, though it dropped "Spoonful".
Fresh Cream represents so many different firsts, it's difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock. That's a lot of weight for one record and, like a lot of pioneering records, Fresh Cream doesn't seem quite as mighty as what would come later, both from the group and its acolytes.
In retrospect, the moments on the LP that are a bit unformed — in particular, the halting waltz of "Dreaming" never achieves the sweet ethereal atmosphere it aspires to — stand out more than the innovations, which have been so thoroughly assimilated into the vocabulary of rock & roll, but Fresh Cream was a remarkable shift forward in rock upon its 1966 release and it remains quite potent. Certainly at this early stage the trio was still grounded heavily in blues, only fitting given guitarist Eric Clapton's stint in John Mayall's Bluesbreakers, which is where he first played with bassist Jack Bruce, but Cream never had the purist bent of Mayall, and not just because they dabbled heavily in psychedelia.
The rhythm section of Bruce and Ginger Baker had a distinct jazzy bent to their beat; this isn't hard and pure, it's spongy and elastic, giving the musicians plenty of room to roam. This fluidity is most apparent on the blues covers that take up nearly half the record, especially on "Spoonful," where the swirling instrumental interplay, echo, fuzz tones, and overwhelming volume constitute true psychedelic music, and also points strongly toward the guitar worship of heavy metal.
Almost all the second side of Fresh Cream is devoted to this, closing with Baker's showcase "Toad," but for as hard and restless as this half of the album is, there is some lightness on the first portion of the record where Bruce reveals himself as an inventive psychedelic pop songwriter with the tense, colorful "N.S.U." and the hook- and harmony-laden "I Feel Free." Cream shows as much force and mastery on these tighter, poppier tunes as they do on the free-flowing jams, yet they show a clear bias toward the long-form blues numbers, which makes sense: they formed to be able to pursue this freedom, which they do so without restraint. If at times that does make the album indulgent or lopsided, this is nevertheless where Cream was feeling their way forward, creating their heavy psychedelic jazz-blues and, in the process, opening the door to all kinds of serious rock music that may have happened without Fresh Cream, but it just would not have happened in the same fashion as it did with this record as precedent.
♦ Ginger Baker – drums, percussion, vocals
♦ Jack Bruce – vocals, bass, harmonica, piano
♦ Eric Clapton – guitar, vocals
Disc 1 : Stereo Album
01. N.S.U. (2:44)
02. Sleepy Time Time (4:21)
03. Dreaming (2:00)
04. Sweet Wine (3:18)
05. Spoonful (6:30)
06. Cat's Squirrel (3:06)
07. Four Until Late (2:08)
08. Rollin' And Tumblin' (4:42)
09. I'm So Glad (3:58)
10. Toad (5:09)
11. Wrapping Paper (2:25)
12. I Feel Free (2:52)
13. Coffee Song (2:45)
Disc 2 : Mono Album
01. N.S.U. (2:43)
02. SleepyTime Time (4:20)
03. Dreaming (1:59)
04. Sweet Wine (3:18)
05. Spoonful (6:31)
06. Cat's Squirrel (3:00)
07. Four Until Late (2:07)
08. Rollin' And Tumblin' (4:44)
09. I'm So Glad (3:59)
10. Toad (5:11)
11. Wrapping Paper (2:28)
12. I Feel Free (2:49)
13. The Coffee Song (2:56)
14. Wrapping Paper (French EP Version) (2:24)
15. Sweet Wine (French EP Version) (3:18)
16. I'm So Glad (French EP Version) (3:56)
17. Cat's Squirrel (French EP Version) (3:01)
18. Rollin' And Tumblin' (French EP Version) (1:49)
19. Four Until Late (French EP Version) (2:08)