fredag 21 oktober 2016

Grateful Dead - S/T (1:a Albumet US 1967) SHM-CD) + Bonus Tracks


240:- (SHM-CD Limited Remaster Edition. Ett måste i rocksamlingen till ett mycket bra pris.)

The Grateful Dead is the debut album of the Grateful Dead. It was recorded by Warner Bros. Records, and was released in March 1967. According to bassist Phil Lesh in his autobiography Searching for the Sound: My Life with the Grateful Dead, the album was released as San Francisco's Grateful Dead.


The album was recorded primarily at Studio A in Los Angeles in only four days. The band had wanted to record the album in their hometown of San Francisco, but no good recording studios existed in the area at the time. 




The group picked David Hassinger to produce because he had worked as an engineer on the Rolling Stones' "(I Can't Get No) Satisfaction" and Jefferson Airplane's Surrealistic Pillow album (on the latter of which Jerry Garcia had guested as well having suggested the album's title). Demands by Warner Bros. resulted in four of the tracks, originally longer, being cut short. Phil Lesh comments in his autobiography that "to my ear, the only track that sounds at all like we did at the time is Viola Lee Blues. ... None of us had any experience with performing for recording ... although the whole process felt a bit rushed."


The album was seen as "a big deal in San Francisco." Even though this was true, it did not see much air play on AM radio stations outside San Francisco. It would be a couple of months before free-form FM radio stations began to take shape. Warner Bros. threw the band a release party at the Fugazi Hall in North Beach. Joe Smith is noted for saying he is "proud that Warner Bros. is introducing the Grateful Dead to the world."


A remastered version with the full versions of five album tracks, plus six bonus tracks, was released by Rhino in as part of the box set The Golden Road (1965-1973) in 2001, and as a separate album in 2003.


The song "Alice D. Millionaire" was inspired by an autumn 1966 newspaper headline "LSD Millionaire", about the Dead's benefactor and sound engineer Owsley Stanley.


In the original design for the album cover, the cryptic writing at the top read, "In the land of the dark, the ship of the sun is driven by the Grateful Dead", with the phrase "Grateful Dead" in large letters. At the band's request, the writing, except for "Grateful Dead", was changed by artist Stanley Mouse to be unreadable. According to fan legend, the saying is from Egyptian Book of the Dead.


The band used the collected pseudonym McGannahan Skjellyfetti for their group-written originals and arrangements. The name derived from a corruption of a character name in the Kenneth Patchen work The Memoirs of a Shy Pornographer.


The entire LP was remixed in the early 1970s by the Grateful Dead themselves—the original mix is found on LPs bearing the Gold (1967 stereo/mono) Warner Brothers label or W7/WB dark green Warner Brothers label (1968-1971). The remix (palm trees Burbank label) differs significantly from the original 1967 release.


Personnel:

 Jerry Garcia – lead guitar, vocals, arrangement
 Bill Kreutzmann – drums
 Phil Lesh – bass guitar, vocals
 Ron "Pigpen" McKernan – keyboards, harmonica, vocals
 Bob Weir – guitar, vocals

01. "The Golden Road (To Unlimited Devotion)" (Grateful Dead) – 2:07

02. "Beat It on Down the Line" (Jesse Fuller) – 2:27
03. "Good Morning Little School Girl" (Sonny Boy Williamson) – 5:56
04. "Cold Rain and Snow" (Obray Ramsey) – 2:25
05. "Sitting on Top of the World" (Lonnie Chatmon and Walter Vinson) – 2:01
06. "Cream Puff War" (Jerry Garcia) – 2:25
07. "Morning Dew" (Bonnie Dobson and Tim Rose) – 5:00
08. "New, New Minglewood Blues" (Noah Lewis) – 2:31
09. "Viola Lee Blues" (Lewis) – 10:01

Bonus Tracks:

10. "Alice D. Millionaire" (Grateful Dead) – 2:22
11. "Overseas Stomp (The Lindy)" (Jab Jones and Will Shade) – 2:24
12. "Tastebud" (Ron McKernan) – 4:18
13. "Death Don't Have No Mercy" (Reverend Gary Davis) – 5:20
14. "Viola Lee Blues" (edited version) (Lewis) – 3:00
15. "Viola Lee Blues" (live at Dance Hall, Rio Nido, CA 9/3/67) (Lewis) – 23:13

The CD reissue contains the full-length versions of "Good Morning Little Schoolgirl", "Sitting on Top of the World", "Cream Puff War", "Morning Dew", and "New, New Minglewood Blues"


Tracks 10–13 recorded at RCA Victor Studio A, Hollywood, CA on February 2, 1967

Track 14 is an edited version of track 9.
Track 15 recorded live at Dance Hall, Rio Nido, CA on September 3, 1967; the master analog reels of "Viola Lee Blues" are said to exclude the beginning of the song.