fredag 17 juli 2015

Quiver - Gone in The Morning (Bra Rock-Blues Album UK 1972) 4 stjärnor i Allmusic (AMG)


300:- (24-Bit Limited Remaster Edition. Utgången utgåva sedan länge. Gruppen släpte 2 album och är okända för de flesta. Sök på youTube och lyssna, sen kommer du att köpa albumet!)

Gone in the Morning is Quiver's follow-up to their self-titled debut, which was somewhat successful in the U.K., but invisible on American shores, as was this disc. It wasn't until three of the members hooked up with the Sutherland Brothers that the band got any recognition stateside. 


Cal Batchelor's contributions are what differentiate this group from the band that merged with Iain Sutherland and his brother Gavin, Batchelor having written or co-written eight of the nine tracks here. Tim Renwick's "Green Tree" is more laid-back and the only title not written by or with Batchelor. 

Renwick played the recorder on Jackie Lomax's Apple releases, and was a member of Junior's Eyes, and musically this Chris Thomas production sets the stage for what the three minstrels who carried the name on would do in the future.

There's a nice George Harrison guitar riff that begins the solo on "Love/No Boundaries," and the pop of that song works better than the pseudo-country which keeps seeping through, as on "I Might Stumble." The title track, "Gone in the Morning," is not a bad song, but at nine minutes, it descends into a jam before it re-emerges and concludes -- and that is perhaps the downside with Quiver and this record. 

There is more focus on riffs and pedestrian jamming than musical experimentation, and a song like "Fung-Kee Laundry," all 55 seconds of it, is a succinct and prime example of what transpires in the middle of the title track. "She's a Lady" is a weird combination of country, reggae, blues. It's competent, well-played, well-produced, but goes nowhere. The real magic is when the worlds of Quiver and the Sutherland Brothers collided, and this excellent group got to perform on some meaty material. 


Or maybe this quartet didn't translate well to record, the Warner Brothers hype around Quiver was that they were "one of England's best loved live groups" -- which begs the question, why not a live album to launch them? "Don't Let Go" is the most musical and exciting piece on this disc; eerie guitars and vocals conclude the record with some promise. Cal Batchelor was from British Columbia, which might explain the heavy American music styles that permeate this British group; indeed, some of the material sounds like the Canadian offshoot of the Guess Who that was Brave Belt. Gone in the Morning is an interesting artifact, but the end result is a competent disc which doesn't beg repeated listening. Roger Daltrey sang "it's the singer not the song," and this album proves him wrong. It's definitely the song that matters. 


A melodic UK progressive rock band, Quiver occasionally followed a country rock path but achieved more success following their merger with the Sutherland Brothers. The line-up comprised Tim Renwick (b. 7 August 1949, Cambridge, England; guitar, vocals, flute) and Cal Batchelor (guitar, vocals, keyboards). Renwick had formerly been with Junior’s Eyes, and he and Batchelor recruited Cochise drummer John ‘Willie’ Wilson (b. 8 July 1947, Cambridge, England). Subsequently, the line-up of Wilson, Renwick, Batchelor, and ex-Village bass player Bruce Thomas (b. 14 August 1948, Middlesbrough, Cleveland, England; bass/vocals), recorded the self-produced Quiver. For the recording, they were augmented by Dick Parry (saxophone).



The same line-up recorded Gone In The Morning, but due to lack of commercial success the band was subsequently dropped by Warner Brothers Records. The members were not coming up with new songs, and so they decided to join the Sutherland Brothers, the two line-ups merging in late 1972 with the addition of Pete Wood (b. Middlesex, England, d. 1994, New York, USA; keyboards). Shortly afterwards they were signed to Island Records, and with a number of personnel changes, achieved a degree of chart success. 


Renwick went on to form 747 and Kicks and is now an in-demand session guitar player, touring with bands such as Pink Floyd and Mike And The Mechanics. Wilson plays with the Coyotes, and Thomas with Elvis Costello’s backing band the Attractions. Quiver’s greatest claim, however, is being the first ever band to play the legendary Rainbow Theatre in London. [All Music Guide AMG] **** 4 Stars

01. Dorset

02. I Know You So Well
03. Green Tree
04. Love/No Boundaries
05. I Might Stumble
06. Gone In The Morning
07. Fung Kee Laundry
08. She's A Lady
09. Don't Let Go