The Righteous Brothers - Just Once in My Life (R&B US 1965)

270:- (SHM-CD Limited Remaster Edition.)

They weren't brothers, but Bill Medley and Bobby Hatfield (both born in 1940) were most definitely righteous, defining (and perhaps even inspiring) the term "blue-eyed soul" in the mid-'60s. The white Southern California duo were an established journeyman doo wop/R&B act before an association with Phil Spector produced one of the most memorable hits of the 1960s, "You've Lost That Lovin' Feelin'." The collaboration soon fell apart, though, and while the singers had some other excellent hit singles in a similar style, they proved unable to sustain their momentum after just a year or two at the top.

When Medley and Hatfield combined forces in 1962, they emerged from regional groups the Paramours and the Variations; in fact, they kept the Paramours billing for their first single. By 1963, they were calling themselves the Righteous Brothers, Medley taking the low parts with his smoky baritone, Hatfield taking the higher tenor and falsetto lines. For the next couple of years they did quite a few energetic R&B tunes on the Moonglow label that bore similarity to the gospel/soul/rock style of Ray Charles, copping their greatest success with "Little Latin Lupe Lu," which became a garage-band favorite covered by Mitch Ryder, the Kingsmen, and others.

Even on the Moonglow recordings, Bill Medley acted as producer and principal songwriter, but the duo wouldn't break out nationally until they put themselves at the services of Phil Spector. Spector gave the Wall of Sound treatment to "You've Lost That Lovin' Feelin'," a grandiose ballad penned by himself, Barry Mann, and Cynthia Weil. At nearly four minutes, the song was pushing the limits of what could be played on radio in the mid-'60s, and some listeners thought they were hearing a 45 single played at 33 rpm due to Medley's low, blurry lead vocal. No matter; the song had a power that couldn't be denied, and went all the way to number one.

The Righteous Brothers had three more big hits in 1965 on Spector's Philles label ("Just Once in My Life," "Unchained Melody," and "Ebb Tide"), all employing similar dense orchestral arrangements and swelling vocal crescendos. Yet the Righteous Brothers-Spector partnership wasn't a smooth one, and by 1966 the duo had left Philles for a lucrative deal with Verve. Medley, already an experienced hand in the producer's booth, reclaimed the producer's chair, and the Righteous Brothers had another number one hit with their first Verve outing, "(You're My) Soul and Inspiration." Its success must have been a particularly bitter blow for Spector, given that Medley successfully emulated the Wall of Sound orchestral ambience of the Righteous Brothers' Philles singles down to the smallest detail, even employing the same Mann-Weil writing team that had contributed to "You've Lost That Lovin' Feelin'." It's a bit of a mystery as to why the Righteous Brothers never came close to duplicating that success during the rest of their tenure at Verve. But they would only have a couple of other Top 40 hits in the 1960s ("He" and "Go Ahead and Cry," both in 1966), even with the aid of occasional compositions by the formidable Goffin-King team. In 1968 Medley left for a solo career; Hatfield, the less talented of the pair (at least from a songwriting and production standpoint), kept the Righteous Brothers going with Jimmy Walker (who had been in the Knickerbockers).

01. Just Once in My Life Goffin, King, Spector 3:55
02. Big Boy Pete Harris, Terry 3:03
03. Unchained Melody North, Zaret 3:34
04. You Are My Sunshine Davis, Mitchell 3:04
05. The Great Pretender Ram 2:33
06. Sticks and Stones 1:54
07. See That Girl Mann, Weil 3:09
08. Ooh Poo Pah Doo 4:51
09. You'll Never Walk Alone Hammerstein, Rodgers 2:15
10. Guess Who? 2:30
11. Blues 2:50

The Righteous Brothers - You've Lost That Lovin' Feelin' (R&B US 1965)

270:- (SHM-CD Limited Remaster Edition.)

"You've Lost That Lovin' Feelin'" is a 1964 song by The Righteous Brothers which became a number-one hit single in the United States and the United Kingdom the following year. In 1999, the performing-rights organization Broadcast Music, Inc. (BMI) ranked the song as having had more radio and television play in the United States than any other song during the 20th century. Additionally, the song was chosen as one of the Songs of the Century by RIAA and ranked #34 on the list of the 500 Greatest Songs of All Time by Rolling Stone.

Written by Barry Mann, Phil Spector and Cynthia Weil, the song is one of the foremost examples of producer Phil Spector's "Wall of Sound" technique. Recorded in Studio A of the famed Gold Star Studios in Los Angeles, it features 'The Wrecking Crew' instrumentally and lead vocals by Bill Medley. Bobby Hatfield reportedly expressed his annoyance to Spector upon learning that he would have to wait until the chorus before joining Medley’s vocals. When Hatfield asked Spector just what he was supposed to do during Medley’s solo, Spector replied: “You can go straight to the fucking bank.” The strings were arranged by legendary arranger Gene Page. Among the background singers in the song's crescendo is a young Cher. The form of the song is the tried and true pop song form of verse-chorus-verse-chorus-bridge-chorus or ABABCB form. Several interesting features are: 1) The bridge is one of the longer bridges one will find in any genre of popular music and slowly builds bit by bit to the dramatic final chorus. 2) The lyric in the final chorus is cleverly, effectively and pleadingly altered to "Bring back that loving feeling" rather than "You've lost that loving feeling." And 3) In the Righteous Brothers version this is one of the rare songs which has no 4-bar, 8-bar, or even one note of instrumental intro, getting right to the point stating, "You never close your eyes anymore when I kiss your lips." Thus, it pulls the listener immediately into the drama of a relationship that has changed.

Cynthia Weil recalled that, "After Phil, Barry and I finished [writing it], we took it over to the Righteous Brothers. Bill Medley, who has the low voice, seemed to like the song." Even with his interest in the song, however, Medley had his doubts. In an interview with Rolling Stone magazine, he recalled, "We had no idea if it would be a hit. It was too slow, too long, and right in the middle of The Beatles and the British Invasion." Indeed, the song ran for nearly four minutes when released. This was much too long by contemporary AM standards, but Spector refused to cut it shorter. On the label where the time is indicated, he had "3:05" printed, instead of the track's actual running time of 3:45. He also added a false ending which made the recording more dramatic, and would also trick radio deejays into thinking it was a shorter song. Upon being played the finished record over the phone, co-writer Barry Mann reacted to Medley’s deep baritone by telling Spector, “Phil, you have it on the wrong speed!”

To Spector's surprise, "You've Lost That Lovin' Feelin'" topped the Billboard Hot 100 dated 6 February 1965 and remained at #1 the week of 13 February 1965. In addition the song crossed over to the R&B charts peaking at number two.

01. You've Lost That Lovin' Feelin' Mann, Spector, Weil 3:51
02. Ko Ko Mo Levy, Porter, Wilson 2:10
03. Old Man River Hammerstein, Kern 3:00
04. Look at Me Cole 3:20
05. What'd I Say Charles 4:11
06. The Angels Listened in Faust, Smith 2:18
07. Sick and Tired Bartholomew, Kenner 3:10
08. Summertime Gershwin 3:00
09. Over and Over Byrd 2:04
10. Soul City Medley 2:25
11. There's a Woman Hatfield, Medley, Spector 2:29

The Righteous Brothers - Back to Back (R&B US 1966)

270:- (SHM-CD Limited Remaster Edition.)

They weren't brothers, but Bill Medley and Bobby Hatfield (both born in 1940) were most definitely righteous, defining (and perhaps even inspiring) the term "blue-eyed soul" in the mid-'60s. The white Southern California duo were an established journeyman doo wop/R&B act before an association with Phil Spector produced one of the most memorable hits of the 1960s, "You've Lost That Lovin' Feelin'." The collaboration soon fell apart, though, and while the singers had some other excellent hit singles in a similar style, they proved unable to sustain their momentum after just a year or two at the top.

When Medley and Hatfield combined forces in 1962, they emerged from regional groups the Paramours and the Variations; in fact, they kept the Paramours billing for their first single. By 1963, they were calling themselves the Righteous Brothers, Medley taking the low parts with his smoky baritone, Hatfield taking the higher tenor and falsetto lines. For the next couple of years they did quite a few energetic R&B tunes on the Moonglow label that bore similarity to the gospel/soul/rock style of Ray Charles, copping their greatest success with "Little Latin Lupe Lu," which became a garage-band favorite covered by Mitch Ryder, the Kingsmen, and others.

Even on the Moonglow recordings, Bill Medley acted as producer and principal songwriter, but the duo wouldn't break out nationally until they put themselves at the services of Phil Spector. Spector gave the Wall of Sound treatment to "You've Lost That Lovin' Feelin'," a grandiose ballad penned by himself, Barry Mann, and Cynthia Weil. At nearly four minutes, the song was pushing the limits of what could be played on radio in the mid-'60s, and some listeners thought they were hearing a 45 single played at 33 rpm due to Medley's low, blurry lead vocal. No matter; the song had a power that couldn't be denied, and went all the way to number one.

The Righteous Brothers had three more big hits in 1965 on Spector's Philles label ("Just Once in My Life," "Unchained Melody," and "Ebb Tide"), all employing similar dense orchestral arrangements and swelling vocal crescendos. Yet the Righteous Brothers-Spector partnership wasn't a smooth one, and by 1966 the duo had left Philles for a lucrative deal with Verve. Medley, already an experienced hand in the producer's booth, reclaimed the producer's chair, and the Righteous Brothers had another number one hit with their first Verve outing, "(You're My) Soul and Inspiration." Its success must have been a particularly bitter blow for Spector, given that Medley successfully emulated the Wall of Sound orchestral ambience of the Righteous Brothers' Philles singles down to the smallest detail, even employing the same Mann-Weil writing team that had contributed to "You've Lost That Lovin' Feelin'." It's a bit of a mystery as to why the Righteous Brothers never came close to duplicating that success during the rest of their tenure at Verve. But they would only have a couple of other Top 40 hits in the 1960s ("He" and "Go Ahead and Cry," both in 1966), even with the aid of occasional compositions by the formidable Goffin-King team. In 1968 Medley left for a solo career; Hatfield, the less talented of the pair (at least from a songwriting and production standpoint), kept the Righteous Brothers going with Jimmy Walker (who had been in the Knickerbockers).

01. Ebb Tide Maxwell, Sigman
02. God Bless the Child
03. Hot Tamales
04. Hallelujah I Love Her So
05. She's Mine All Mine
06. Hung on You Goffin, King, Spector
07. For Sentimental Reasons Best, Watson
08. White Cliffs of Dover Burton, Kent
09. Loving You
10. Without a Doubt
11. Late Late Night
+ Bonus